The following table lists all default keyboard shortcuts in the RX Audio Editor.
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RX has options for defining your own keyboard shortcut commands. The column named “RX Shortcut Command Name” lists the name asociated with each default shortcut in the RX Audio Editor. This can be useful when assigning custom shortcuts in the Preferences > Keyboard tab.
Importing keyboard shortcuts from RX5
- If you would like to carry over custom shortcuts you set in RX 5, you will need to export the keybindings from RX 5 and then import that keybindings file to RX 6 using the Import option in the Preferences > Keyboard tab.
Name/Description | Default Mac Shortcut | Default Windows Shortcut | RX Shortcut Command Name |
---|---|---|---|
New… | command+N | ctrl+N | File.New |
New from Clipboard | shift+command+N | ctrl+shift+N | File.NewFromClipboard |
Open… | command+O | ctrl+O | File.Open |
Save | command+S | ctrl+S | File.Save |
Save As… | shift+command+S | ctrl+shift+S | File.SaveAs |
Save RX Document | File.SaveRXDocument | ||
Save RX Document As… | File.SaveRXDocumentAs | ||
Overwrite Original File | option+command+S | ctrl+alt+S | File.SaveOverwriteOriginal |
Export… | command+E | ctrl+E | File.Export |
Export Selection… | shift+command+E | ctrl+shift+E | File.ExportSelection |
Export Regions to Files… | option+command+E | ctrl+alt+E | File.ExportRegions |
Close | command+W | ctrl+W | File.Close |
Close All | shift+V | ctrl+shift+W | File.CloseAll |
Zoom out full all rulers | command+0 | ctrl+0 | Zoom.AllOutFull |
Zoom in on amplitude ruler | shift+up arrow | shift+up arrow | Zoom.AmpIn |
Zoom out on amplitude ruler | shift+down arrow | shift+down arrow | Zoom.AmpOut |
Zoom in on frequency ruler | shift+command+up arrow | shift+ctrl+up arrow | Zoom.FreqIn |
Zoom out on frequency ruler | shift+command+down arrow | shift+ctrl+down arrow | Zoom.FreqOut |
Zoom in on time ruler | up arrow | up arrow | Zoom.TimeIn |
Zoom in on time ruler | command+= | ctrl+= | Zoom.TimeIn |
Zoom on left side of time ruler | command+[ | ctrl+[ | Zoom.TimeLeftEdge |
Zoom out on time ruler | command+- | ctrl+- | Zoom.TimeOut |
Zoom out on time ruler | down arrow | down arrow | Zoom.TimeOut |
Zoom out full on time ruler | shift+command+- | ctrl+shift+- | Zoom.TimeOutFull |
zoom on right side of time ruler | command+] | ctrl+] | Zoom.TimeRightEdge |
Zoom to time selection | command+ | ctrl+[ | Zoom.TimeSelection |
Undo | command+Z or option+command+Z | ctrl+Z or ctrl+alt+Z | Edit.Undo |
Redo | command+Y or shift+command+Z | ctrl+Y or ctrl+shift+Z | Edit.Redo |
Cut | command+X | ctrl+X | Edit.Copy |
Copy | command+C | ctrl+C | Edit.Cut |
Paste | command+V | ctrl+V | Edit.Paste |
Paste Special> Insert | option+command+V | ctrl+alt+V | Edit.PasteInsert |
Paste Special> Replace | option+shift+command+V | ctrl+alt+shift+V | Edit.PasteReplace |
Paste Special> Mix | shift+V | shift+V | Edit.PasteMix |
Paste Special> Invert and Mix | option+V | alt+V | Edit.PasteMixInvert |
Paste Special> To Selection Only | option+shift+V | alt+shift+V | Edit.PasteToSelection |
Paste Special> Clip Gain Only | shift+command+V | ctrl+shift+V | Edit.PasteClipGainOnly |
Deselect | command+D | ctrl+D | Edit.Deselect |
Reselect | shift+command+D | ctrl+shift+D | Edit.Reselect |
Select All | command+A | ctrl+A | Edit.SelectAll |
Invert Selection | shift+command+I | ctrl+shift+I | Edit.SelectInverse |
Invert Selection Frequencies | command+I | ctrl+I | Edit.SelectInverseFreq |
Select Harmonics… | shift+command+H | ctrl+shift+H | Edit.SelectHarmonicsByNumbers |
Begin Selection At Playhead | [ | [ | Edit.SetSelectionStart |
End Selection At Playhead | ] | ] | Edit.SetSelectionEnd |
Delete Selection | Del | Del | Edit.SilenceDelete |
Trim to Selection | command+T | ctrl+T | Edit.TrimToSelection |
Snap | shift+command+; | ctrl+shift+; | View.ToggleSnapping |
Find Similar Event Window | command+F | ctrl+F | Edit.FindSimilarEvent |
Find Next Similar Event | shift+command+F | ctrl+shift+F | Edit.FindNextSimilarEvent |
Find Previous Similar Event | option+command+F | ctrl+alt+F | Edit.FindPrevSimilarEvent |
Add Marker or Region | M | M | Edit.AddMarkerOrRegion |
Edit Cursor Mode > Select Time | T | T | Edit.EditorCursorMode.SelectTime |
Edit Cursor Mode > Select Time/Freq | R | R | Edit.EditorCursorMode.SelectTimeFreq |
Edit Cursor Mode > Select Freq | F | F | Edit.EditorCursorMode.SelectFreq |
Edit Cursor Mode > Lasso | L | L | Edit.EditorCursorMode.SelectLasso |
Edit Cursor Mode > Selection Brush | B | B | Edit.EditorCursorMode.SelectBrush |
Edit Cursor Mode > Selection Wand | W | W | Edit.EditorCursorMode.SelectWand |
Edit Cursor Mode > Zoom Time | Z | Z | Edit.EditorCursorMode.ZoomTime |
Edit Cursor Mode > Zoom Time/Freq | shift+Z | shift+Z | Edit.EditorCursorMode.ZoomTimeFreq |
Edit Cursor Mode > Zoom Freq | option+Z | alt+Z | Edit.EditorCursorMode.ZoomFreq |
Edit Cursor Mode > Grab Time | G | G | Edit.EditorCursorMode.GrabTime |
Edit Cursor Mode > Grab Time/Freq | shift+G | shift+G | Edit.EditorCursorMode.GrabTimeFreq |
Edit Cursor Mode > Grab Freq | option+G | alt+G | Edit.EditorCursorMode.GrabFreq |
Open Batch Processing window | command+B | ctrl+B | File.BatchProcessing |
Send Connect Clips back to host | Command+Return | ctrl+return | File.SendConnectClipsBackToHost |
Discard Connect Clips | command+delete | ctrl+backspace | File.DiscardConnectClips |
Remove Clip Gain from selection | shift+delete | shift+backspace | Editor.RemoveClipGain |
Remove All Clip Gain | shift+command+delete | ctrl+shift+backspace | Editor.RemoveAllClipGain |
Toggle Follow Playhead | command+P | ctrl+P | Transport.TogglePlayheadFollow |
Toggle Follow Playhead Mode > Page / Continuous | shift+command+P | ctrl+shift+P | Transport.CyclePlayHeadFollowMode |
Show Clip Gain | command+G | ctrl+G | View.ToggleGainCurveOverlay |
Show Channels Separately | shift+command+C | ctrl+shift+C | View.ToggleCompositeAudioDisplay |
Show Spectrogram Settings | shift+command+, | ctrl+shift+, | View.ToggleSpectrogramSettingsVisible |
Decrease Spectrogram FFT Size | Shift+ | Shift+ | Spectrogram.FFTSizeDecrement |
Increase Spectrogram FFT Size | Shift+. | Shift+. | Spectrogram.FFTSizeIncrement |
Show Preferences Window | command+ | ctrl+ | Edit.Preferences |
Show File Info window | shift+option+command+I | shift+alt+ctrl+I | File.Info |
Enter Full Screen | ^+command+F | ctrl+^+F | View.ToggleFullScreen |
Exit Full Screen | esc | Esc | View.ExitFullScreen |
Toggle Instant Process | I | I | Edit.EditorCursorMode.ToggleInstant |
Toggle Preview Bypass | shift+B | shift+B | TogglePreviewBypass |
Toggle Window Opacity | shift+command+O | ctrl+shift+O | View.ToggleFloatingWindowOpacity |
Toggle Input Monitoring | option+I | alt+I | ToggleInputMonitoring |
Start or Stop Playback | Spacebar | Spacebar | Transport.PlayOrStop |
Start or Stop Preview Playback | shift+Spacebar | shift+Spacebar | Transport.PreviewOrStop |
Rewind Transport | return | Home | Transport.Rewind |
Seek to End of file | End | Transport.SeekToEnd | |
Toggle Looping | command+L | ctrl+L | Transport.ToggleLooping |
Toggle Playhead Follow | command+P | ctrl+P | Transport.TogglePlayHeadFollow |
Toggle Playhead Return | command+R | ctrl+R | Transport.TogglePlayHeadReturn |
Select Both Channels | shift+command+B | ctrl+shift+B | Editor.ChannelSelectBoth |
Select Left Channel | shift+command+L | ctrl+shift+L | Editor.ChannelSelectLeft |
Select Right Channel | shift+command+R | ctrl+shift+R | Editor.ChannelSelectRight |
Extend selection left | shift+left Arrow | shift+left arrow | Editor.ExtendSelectionLeft |
Extend selection left by page | shift+up arrow | shift+page up | Editor.ExtendSelectionPageLeft |
Extend selection to the right boundary of current view | shift+down Arrow | shift+page down | Editor.ExtendSelectionPageRight |
Extend selection by increment to the right | shift+right arrow | shift+right arrow | Editor.ExtendSelectionRight |
Move playhead to next marker or selection boundary | option+right arrow | alt+right arrow | Editor.GoToNextMarkerOrSelectionBoundary |
Move playhead to previous marker or selection boundary | option+left arrow | alt+left arrow | Editor.GoToPreviousMarkerOrSelectionBoundary |
Nudge playhead to the left | left arrow | left arrow | Editor.NudgeLeft |
Nudge playhead to the right | right arrow | right arrow | Editor.NudgeRight |
Page Left | page up | page up | Editor.PageLeft |
Page Right | page down | page down | Editor.PageRight |
Select to End | shift+end | shift+end | Editor.SelectToEnd |
Select to Start | shift+home | shift+home | Editor.SelectToStart |
Process Reverse | shift+R | shift+R | Process.Reverse |
Process Silence | shift+S | shift+S | Process.Silence |
Process Gain | option+command+6 | ctrl+alt+6 | Apply.Gain |
Process Leveler | option+command+0 | ctrl+alt+0 | Apply.Leveler |
Process Loudness | option+command+4 | ctrl+alt+4 | Apply.Loudness |
Process Ambience Match | option+command+2 | ctrl+alt+2 | Apply.MatchAmbience |
Process Mixing | option+command+8 | ctrl+alt+8 | Apply.ChannelMix |
Process De-plosive | command+5 | ctrl+5 | Apply.DePlosive |
Process De-click | command+2 | ctrl+2 | Apply.Declick |
Process De-clip | command+1 | ctrl+1 | Apply.Declip |
Process Deconstruct | command+7 | ctrl+7 | Apply.Deconstruct |
Process De-reverb | command+8 | ctrl+8 | Apply.Dereverb |
Process EQ | option+command+7 | ctrl+alt+7 | Apply.EQ |
Process EQ Match | option+command+1 | ctrl+alt+1 | Apply.EQMatch |
Process Plug-in | option+command+5 | ctrl+alt+5 | Apply.Plug-in |
Process De-Hum | command+3 | ctrl+3 | Apply.RemoveHum |
Process Resampler | option+command+9 | ctrl+alt+9 | Apply.Resampler |
Process Spectral Repair | command+6 | ctrl+6 | Apply.SpectralRepair |
Process Pitch Contour | option+command+3 | ctrl+alt+3 | Apply.TimeStretchPitchShift |
Process Voice De-noise | command+4 | ctrl+4 | Apply.VoiceDenoise |
Open Gain module | shift+option+6 | shift+option+6 | View.Module.ToggleGain |
Open Leveler module | shift+option+0 | shift+option+0 | View.Module.ToggleLeveler |
Open Loudness module | shift+option+4 | shift+option+4 | View.Module.ToggleLoudness |
Open Ambience Match module | shift+option+2 | shift+option+2 | View.Module.ToggleMatchAmbience |
Open Mixing module | shift+option+8 | shift+option+8 | View.Module.ToggleChannelMix |
Open De-plosive module | shift+5 | shift+5 | View.Module.DePlosive |
Open De-click module | shift+2 | shift+2 | View.Module.ToggleDeclick |
Open De-clip module | shift+1 | shift+1 | View.Module.ToggleDeclip |
Open Deconstruct module | shift+7 | shift+7 | View.Module.ToggleDeconstruct |
Open De-reverb module | shift+8 | shift+8 | View.Module.ToggleDereverb |
Open EQ module | shift+option+7 | shift+option+7 | View.Module.ToggleEQ |
Open EQ Match module | shift+option+1 | shift+option+1 | View.Module.ToggleEQMatch |
Open Plug-in window | shift+option+5 | shift+option+5 | View.Module.TogglePlugIn |
Open De-hum module | shift+3 | shift+3 | View.Module.ToggleRemoveHum |
Open Resample module | shift+option+9 | shift+option+9 | View.Module.ToggleSRC |
Open Spectral Repair module | shift+6 | shift+6 | View.Module.ToggleSpectralRepair |
Open Time & Pitch module | shift+option+3 | shift+option+3 | View.Module.ToggleTimeStretchPitchShift |
Open Voice De-noise module | shift+4 | shift+4 | View.Module.ToggleVoiceDenoise |
Open Markers window | option+m | option+m | View.ToggleMarkerPanelVisible |
Open Module Chain window | c | c | View.ToggleModuleChainVisible |
Open Spectrum Analyzer window | option+r | option+r | View.ToggleSpectrumAnalyzerVisible |
Open Waveform Stats window | option+d | option+d | View.ToggleWaveformStatsVisible |
Learn Ambience Match | shift+option+command+9 | shift+alt+ctrl+9 | Apply.DereverbTrain |
Suggest De-hum | shift+option+command+4 | shift+alt+ctrl+4 | Apply.RemoveHumTrain |
Learn Voice De-noise | shift+option+command+5 | shift+alt+ctrl+5 | Apply.VoiceDenoiseTrain |
Learn EQ Match | shift+option+command+2 | shift+alt+ctrl+2 | Apply.EQMatchTrain |
Module & Plug-in |
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Overview
De-clip repairs digital and analog clipping artifacts that result when A/D converters are pushed too hard or magnetic tape is over-saturated. It can be extremely useful for rescuing recordings that were made in a single pass, such as live concerts or interviews, momentary clipping in “perfect takes”, and any other audio that cannot be re-recorded.
De-clip will process any audio above a given threshold, interpolating the waveform to be more round. Generally, the process is as easy as finding the clipping you want to repair, then setting the threshold just under the level where the signal clips.
Controls
- HISTOGRAM METER: Displays waveform levels for the current selection as a histogram. The histogram meter helps you set the Threshold control by displaying the audio level where the waveform’s peaks are concentrated. This usually indicates at what level clipping is present in the file. The longer the line for the histogram is, the more energy is present at that amplitude.
- HISTOGRAM ZOOM CONTROLS: The histogram’s range can be scaled if you need a better view of your signal. Use the (+) and (-) buttons to scale your display and value resolution for the De-clip module. These buttons reduce (+) and/or expand (-) the range of the threshold slider and histogram. You may want to extend the histogram range when the clipping point is lower than what you can see on a histogram or if you don’t see anything on the histogram.Note on histogram updating in the application vs. the De-clip plug-in
- In the RX Audio Editor, the Histogram meter updates based on selection: Select a section of the recording where clipping is prominent and De-clip will analyze the levels of the program material. If clipping is present in the selection, it will usually appear as a horizontal line in the histogram that extends all the way across the meter.
- In the De-clip Plug-in, the histogram runs as a real-time meter.
What is a histogram?- A histogram is an analytical tool that displays how many samples are present at a given signal level over a window in time. The longer the line for the histogram is, the more energy is present at that amplitude.
- If a lot of energy tends to collect near the top and bottom edges of a waveform, that waveform is probably clipped and distorted.
- In the RX Audio Editor, the Histogram meter updates based on selection: Select a section of the recording where clipping is prominent and De-clip will analyze the levels of the program material. If clipping is present in the selection, it will usually appear as a horizontal line in the histogram that extends all the way across the meter.
- THRESHOLD [dB]: Defines the level used for detection of clipped intervals. Generally, this should be set just below the actual level of clipping. To set the threshold, move the Threshold slider until it lines up with the place in the histogram just below where clipping is concentrated.Understanding the Clipping Threshold overlays
- Adjusting the Clipping Threshold will display a blue line within the histogram and a gray line on the waveform itself (when the De-clip Threshold effect overlay). These lines indicate the audio information that will be considered as “clipping” by the de-clip algorithm.
Using the De-clip Threshold Effect overlay in the Spectrogram/waveform view- By default, De-clip Threshold is enabled in the View > Effect Overlay menu.
- When enabled and the De-clip module is open, the De-clip threshold overly will be displayed in the spectrogram/waveform display.
- You can adjust the Threshold controls in the De-clip module by adjusting the Threshold overlay lines in the spectrogram display.
- You can use the mousewheel on the waveform amplitude ruler to adjust the threshold control values.
- Adjusting the Clipping Threshold will display a blue line within the histogram and a gray line on the waveform itself (when the De-clip Threshold effect overlay). These lines indicate the audio information that will be considered as “clipping” by the de-clip algorithm.
- THRESHOLD LINK: Toggles the ability to adjust positive and negative clipping thresholds independently.
- When this option is enabled, you can adjust the positive and negative clipping Threshold controls independently. This is useful in cases where more clipping is occurring on one side of your waveform.
- You can also set asymmetric de-clipping thresholds directly from the waveform by toggling the lock box between the threshold controls on the waveform display.
- When this option is enabled, you can adjust the positive and negative clipping Threshold controls independently. This is useful in cases where more clipping is occurring on one side of your waveform.
- SUGGEST: Calculates suggested threshold values based on the levels in your current selection.
- QUALITY: Controls the interpolation processing quality. There are three quality modes in the De-clip module: Low, Medium, and High.De-clip Quality mode notes
- Low quality mode processes very quickly.
- High quality mode processes slowly but is capable of achieving better results.
- In many cases you will find that Low quality mode gives you great results. To save time, always start by previewing the Low quality modes first. You can also use the Compare feature to try multiple modes and preview the results.
- Low quality mode processes very quickly.
- MAKEUP GAIN [dB]: Selects the gain to be applied to the selection after De-clip.When to use the make-up gain control
- The De-clip process causes an increase in peak levels. The Makeup gain control can be used to prevent the signal from clipping after processing. It is also useful for matching the level after processing to unprocessed audio outside of the selection.
- The De-clip process causes an increase in peak levels. The Makeup gain control can be used to prevent the signal from clipping after processing. It is also useful for matching the level after processing to unprocessed audio outside of the selection.
- POST-LIMITER: Applies a true peak limiter after processing to prevent the processed signal from exceeding 0 dBFS.
- De-clip usually increases signal levels by interpolating signal segments “above” the clipping point, which can make the signal clip again if the waveform format offers no headroom above 0 dBFS.
- If the post-limiter is disabled, the restored intervals above 0 dBFS can be safely stored even without makeup gain as long as the file is saved as 32-bit float. Intervals above 0 dBFS will clip when played back through a digital-analog converter.
- De-clip usually increases signal levels by interpolating signal segments “above” the clipping point, which can make the signal clip again if the waveform format offers no headroom above 0 dBFS.
More Information
Suggestions for severe distortion
- For certain situations, using the Deconstruct module to extract the noise components of the distortion can help remove additional artifacts beyond the clipped peaks in a waveform.
- In cases where severe distortion is visible on the spectrogram, the Spectral Repair tool can be used to select those problem areas, and attenuate or replace them with undistorted audio.
Visual Examples
BEFORE & AFTER CLIP REPAIR
Izotope Rx 7 Declip 3
A waveform before and after clip repair. The after example (bottom) shows the original repaired waveform (faded) and the post-limiting waveform (bright).
Izotope
UNLINKING THRESHOLD CONTROLS TO CURB ASYMMETRIC CLIPPING
Izotope Rx-7 Free Download
This problematic waveform (grey) shears off around −13 dB on only the positive side of the waveform (the histogram on the right shows the extra positive energy of clipped audio). Extra processing of the negative side would be unnecessary, so the Threshold controls can be unlinked to process above −13 dBFS on the positive side only. The resulting waveform is drawn in blue above the grey sheared peak.